Kunstenaarsparticipatie valt in de prijzen
Het essay 'Kunstenaarsparticipatie... en hoe het leven en werk in Rotterdam verandert' kreeg een nominatie voor de Hans Baaij Essayprijs 2010.
BAVO contributes to 'Power?... To which people?!'
The volume 'Power?... To which people?!' is edited by the artist Jonas Staal and published by Jap Sam Books, April 2010.
Five Theses on the Neoliberal City
BAVO presented the 'Five Theses on the Neoliberal City' at the first Civic City Conference in Zürich.
Doorstart kunstenaarsparticipatie in Rotterdam
Het Rotterdamse cultuurbeleid eist van de kunstsector een belangrijke bijdrage aan de sociale en economische versterking van de stad. BAVO stelde samen met CBK, TENT, Fonds BKVB en Dienst Kunst en Cultuur (Gemeente Rotterdam) een Actieprogramma op dat het rendement van kunst dringend moet opkrikken.

De Afrikaanse stad als het sublieme object van de architect-planner?
Dat is de vraag die bleef hangen na het bezoek aan een recente conferentie over het Afrikaanse stadscentrum in Pretoria.
New series of events on the borders of Europe in November and December
The events include lectures by Chantal Mouffe, Paul Scheffer and Markus Miessen as well as a film seminar with Ann-Sofi Siden and Maria Iorio & Raphael Cuomo.

Steunactie architecten Lange Wapper
BAVO roept op tot solidariteit met de architecten van de Lange Wapper. De architecten zijn binnen de publiekprivate samenwerking gebonden aan een onwettige escalatieprocedure die hun bewegingsvrijheid en zeggenschap beperkt.
Opheffen censuur in Architectuurnota Lange Wapper
Het Lange Wapper ontwerp van Laurent Ney en Paul Robbrecht is door de aannemer THV Noriant gereduceerd tot een zgn. 'extended idea'. BAVO vraagt de oorspronkelijke Architectuurnota openbaar te maken.
Apartheidstad Pretoria
In de reeks 'Groeten uit...' schreef BAVO een stuk over de Zuidafrikaanse hoofdstad Pretoria en de manier waarop de stedelijke ontwikkeling er nog steeds getekend wordt door haar verleden als apartheidstad nummer 1.

Orde van Architecten moet optreden binnen Oosterweeldossier
De inbreuken op de autonomie van de architect binnen de Oosterweelverbinding zijn een gevaarlijk precedent. BAVO vraagt de Orde van Architecten om een onderzoek in te stellen en zonodig disciplinair op te treden.
Lange Wapper in overtreding met autonomie architectenberoep
Lees in De Architect hoe de Oosterweelverbinding ernstige schade toebrengt aan de unieke, bij Wet geregelde autonomie van de Vlaamse architectuur.
Het Janssens Effect
In de Archined zomerreeks 'Groeten uit...' is een overzicht opgenomen van recente spraakmakende architectuurproducties in Antwerpen en hun bijdrage aan de sociale herovering van deze trotse havenstad.
Architecturale kwaliteit Oosterweelverbinding in het geding
BAVO tekent bezwaar aan tegen het afleveren van een stedenbouwkundige vergunning voor de Oosterweelverbinding op basis van ernstige gebreken met betrekking tot de ruimtelijke en architecturale kwaliteit, de transparantie van het ontwerpproces, de interne kwaliteitscontrole op vlak van het ontwerp en de positie van de architect binnen de publiek-private samenwerking.
De Janssens Werken mobiliseert jonge architecten
Een campagne informeert pas afgestuurde architecten over carrièrekansen in de Stad Antwerpen.

Succesvolle lancering Stedelijk Protocol Kunstenaarsparticipatie
In een besloten Corrillos bijeenkomst in TENT. kreeg een selecte groep kunstenaars en vertegenwoordigers van kunstinstituties actief in Rotterdam de mogelijkheid om van gedachten te wisselen over het nut en voordeel van kunstenaarsparticiaptie voor de stad.
Successful launch Urban Protocol for Artist Participation
In a closed Corrillos meeting in TENT, a select group of artists and representatives of art institutions active in Rotterdam were given the opportunity to discuss the use and advantages of artist participation for the city.
Crisis in de autonome Vlaamse architectuur
Christophe van Gerrewey ontwaart een zorgwekkende hypnose in het Jaarboek Architectuur Vlaanderen 2006-2007 (editie 2008).
De Janssens Werken in De Witte Raaf
Kijk uit naar komende editie van De Witte Raaf (#139) voor een neerslag van het debat tussen bOb van Reeth, Maarten Schmitt, Dirk Pültau en BAVO gemodereerd door Pieter Uyttenhove.

Maastricht: Lieu de Passages?
BAVO moderates the workshop 'Between centers and peripheries' at the conference 'Maastricht: Lieu de Passages?' with Therese Kaufmann, Olivier Kramsch and Angela Melitopoulos.
Debat: Activisme in de Kunst
Naar aanleiding van het initiatief Bureau Kunstenaarsparticipatie neemt BAVO deel aan het debat: Protest! Activisme in de kunst, georganiseerd door Arminius, Rotterdam.
The Post-Neoliberal City
BAVO will participate at the first Civic City Conference in Zürich.
Lecture Markus Miessen
The architect and writer will look at the borders of Europe through three projects including his East Coast Europe.

Lecture Paul Scheffer
The Dutch philosopher will plead for the necessity of borders for an open society like Europe.

Lecture at the JMB Gallery in Toronto
BAVO will expound on its theses on cultural activism today as formulated in its 2007 book.
Lecture Chantal Mouffe
The Belgian philosopher will apply her agonistic thinking on Europe's border problematic.
De architect als natuurlijke bemiddelaar
In het debat 'Architectuur als Buur - 20 jaar later' presenteert BAVO haar studie naar de rol van architectuur in de stedelijke ontwikkeling van Gent.
Creative coalitions and artistic discipline
In the context of Red Light Art, BAVO discusses the two fundamental concepts that guide artist participation in Amsterdam.
Workshop in Beijng
BAVO will participate in an international workshop on the role of the artist in China and Europe.
Etienne Balibar in Maastricht
French philosopher Etienne Balibar will lecture on 'Ideas of Europe: Civilization and Constitution'.

First public debate on the Rotterdam Code
BAVO will present and discuss the 'Rotterdam Code' within a Corrillos meeting June 16, 2009 hosted by Jonas Staal.
Searching for spatial justice – without architects
Entitled ‘Rethinking Theory, Space and Production: Henri Lefebvre Today’, the conference reflected the huge revival of interest in the work of Lefebvre today, which most architects are perhaps unaware of. However, if there’s one twentieth-century philosopher who engaged intensively with the city and is worthy of study, then it’s Lefebvre. Particularly in the 1960s and 1970s he wrote various books and articles about the city, the production of space, modernist urban planning and everyday life. What’s more, he maintained intensive contact with architects and planners and even took part in architecture competitions.
But that doesn’t entirely explain the contemporary fascination of planners and geographers for Lefebvre (1901-1991). An important reason is the central role he accords the city, architecture and everyday life in bringing about a social revolution – one that he, a convinced Marxist, aimed for all his life. That revolution, he believed, had to be an urban revolution. Or more precisely, a revolution is not a revolution if it doesn’t change everyday life in a fundamental way. In this regard he directly challenged the then dominant, orthodox opinion about revolution, which centred on the economy or politics. Lefebvre’s viewpoint therefore made him a dissident within the communist movement in France. It also explains his huge popularity among revolting students in May 1968, for whom the change of apparently secondary issues such as love or education was also considered essential.
The benefit of Lefebvre’s ideas for planners and architects is that they, as producers of space and everyday life, are suddenly promoted to the vanguard of a changing society. Or, put another way, they are no longer impotent, indefinite objects from whom every well-intended attempt to change society is just a shot in the dark, as long as these are not supported by economic or political change. It’s a position taken by an architecture historian like Manfredo Tafuri or a geographer like David Harvey. The big promise of Lefebvre’s work for architects is that of an architecture that no longer forms just a camouflage or a progressive face for an unjust society – and therefore has in fact a contra-revolutionary effect – but, on the contrary, an architecture that, by organising the everyday world of people differently, forms the basis for a general change in society. This was undoubtedly also the ambition of the conference: to use a confrontation with the work of Lefebvre in order to arrive at a reformulation and re-evaluation of the current and potential role of architecture.
But it was precisely in this area that the conference came up short and left the public dissatisfied – despite a packed programme featuring 23 speakers, 8 keynote speakers and five panels with three papers each. The biggest cause of this was the emphasis at the conference on the applicability of Lefebvre’s core categories for reading and analysing the contemporary city. This, based on the view that sufficient attention has already been paid to the more theoretical sides of his work in other conferences and books. As a result, attention focused on analyses of urban situations around the world in which Lefebvre’s work was deployed as an alternative key to interpretation. Among them the architectural mutations carried out by residents of communist housing blocks in Hanoi, the construction of shared gardens in New York, a study of various users and patterns of use of a square in the centre of in Sao Paulo, and of a neighbourhood with lots of creative people in Hamburg. The problem with the presentations was that on the one hand they clung to Lefebvre’s work and related all this central concepts to practice. On the other hand, concepts were bandied about too loosely. The analyses didn’t demonstrate a more fundamental understanding of his work. (Almost all speakers apologised that they weren’t ‘Lefebvre scholars’.)
Owing to this flaw, as well as the keynote lectures that lacked real direction and offered little in the way of theoretical support, a number of fundamental questions remained unresolved or even undiscussed. Not only the question concerning the essential role, or not, of architecture and planning in changing society, but also the question of how Lefebvre’s life-long involvement with Marxism can be reviewed. As one of the organisers remarked, it is a paradox that the Lefebvre revival has taken place at a time (since the early 1990s) in which belief in radical change – Marxist or otherwise – seems to have vanished.
These fundamental issues haunted the entire conference and sometimes led to painful outbursts. Like when a man in the audience, after a lecture about a typical creative makeover of the Schanzenviertel district in Hamburg, called the speaker to order by pointing out to her that the ultimate aim of Lefebvre is still to overthrow the state. He hereby implied that all creative initiatives by architects and designers are senseless as long as they make the state the biggest enemy. He was left unchallenged by both the audience and the speaker, who promptly hardened her point of view by stating that she, too, disapproved of the developments in the Hamburg district.
This lack of an activist perspective was probably also the reason for the remarkable absence of the community of architects and designers. That said, the conference was held at the faculty of architecture. Although one of the organisers emphasised Lefebvre’s relevance for architecture and design, an explicit treatment of them was totally lacking. Architects could learn much about how to look at the city through the eyes of Lefebvre but little about how they could really change it through their practice – and that was the main ambition of a radical thinker like Lefebvre. In that sense, contributions from groups and movements that engage with Lefebvre in an activist manner would have been welcome.


